Capitol were filmed at the Utah State Capitol. The scenes inside the Capitol were actually filmed at the Illinois State Capitol Building. Both were modeled after and look similar to the national Capitol. Many Salt Lake City and Springfield locals took parts as extras in the movie. Stewart (as David Stewart). Performed by Eurythmics featuring Aretha Franklin. Courtesy of BMG U. ![]() Watch Full movie Legally Blonde 2: Red, White & Blonde (2003) Online Free. Elle Woods heads to Washington D.C.![]() Watch Friends Full Episodes Online. Instantly find any Friends full episode available from all 10 seasons with videos, reviews, news and more! It's time for some mind-boggling, little-known facts about everyone's secret favorite.
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So we’ve compiled our list of recommended titles for you—whether you love classics, comedies, documentaries or just good ol’ fashioned kung- fu. The genres vary greatly here—and range in age from brand new to 8. Paste stamp of approval. The list is up to date as of February 2. Netflix Instant changes its offerings. In the Loop Year: 2. Director: Armando Iannucci. If clever verbal humor were easy, we’d have more comedies like In the Loop. But it’s not, and this one stands in a class of its own. It’s the most quotable film of the decade—by miles—and the cynical potty mouths on screen are so articulate and creative that, after the avalanche of witticisms, you’re left with the lingering sense that you’ve seen not just a funny movie but also a wicked political satire of the highest order, the kind where the absurdity speaks for itself.—Robert Davis. Life Is Beautiful Year: 1. Director: Roberto Benigni. Italian writer, director, actor and concentrated ball of exuberance Roberto Benigni brought comedy to a story of a Nazi concentration camp without downplaying the tragedy. We all want to give our children their childhood, and his character’s efforts to do just that make a the horror all the more relatable. The film tugs at heartstrings, but Benigni plays them so well, you’ll forgive any hint of emotional manipulation. A Fish Called Wanda Year: 1. Director: Charles Crichton.
![]() This ensemble piece shows what can happen when four skilled comic actors (John Cleese, fellow Monty Python alum Michael Palin, Kevin Kline and Jamie Lee Curtis) are given a script (written by Cleese) that puts them all on equal footing. The result is a tour- de- force of crisply delivered, character- driven comedy that, while tough on old ladies, fish and terriers, continues to reward new and returning viewers. Mullholland Dr. Year: 2. Director: David Lynch. Naomi Watts’ soulful and fearless dual performance as a wide- eyed ing. Only superficially exploitive, Mulholland Drive gives its girl- on- girl action a tenderness rarely seen in mainstream sex scenes and never seen in Lynch films. Even as the director further blurs the distinctions between fantasy and reality, he finds the dark heart of this tangled romance.—Stephen M. Adaptation Year: 2. Director: Spike Jonze. As utterly gonzo as Kaufman’s characters and stories are, they’re only as outrageous as the errant, obsessive rhythms of thought going clickety- clickety- click inside our own heads. It’s just that Kaufman has more immediate access to all those idiosyncratic brainwaves. He can’t stop himself. Kaufman—not unlike his anxious, lovestruck and artistically fraught heroes—compulsively thinks outside the box. And then he builds a bigger box. Adaptation is an adaptation of New Yorker writer Susan Orleans’ The Orchid Thief that centers on a Hollywood frustrated screenwriter’s efforts to adapt the book into a movie.—Steve Dollar. Brokeback Mountain Year: 2. Director: Ang Lee. While his performance as the Joker in The Dark Knight certainly deserves the acclaim it’s been given, Heath Ledger’s true tour de force was his understated work in Brokeback Mountain. Ledger brought a driving force to the movie which complimented its contemplative tone and showed a true, classical brilliance in acting that left you convinced that his character was real.—Sean Gandert. ![]() Netflix Old Movies ListThe Untouchables Year: 1. Director: Brian De Palma. Al Capone and Eliot Ness—the quintessential gangster and the original G- Man—lock horns during Prohibition in one of the greatest American cop movies ever made. The all- star cast is great, but it’s Sean Connery as Ness’s sidekick, Jim Malone, who elevates this film from standard shoot- em- up to high drama. Director Brian De. Palma juxtaposes the stylized and slick with the violent and vulgar, and the contrast serves to heighten our awareness of each. The costumes are rich, the dialog is a pulp- writer’s dream, and the fact that Capone is brought down by the office nerd makes everyone feel great.—Joan Radell. Man on Wire Year: 2. Director: James Marsh. In 1. 97. 4, high- wire walker Philippe Petit fulfilled a longstanding dream by sneaking into New York’s World Trade Center, stringing a cable between the tops of the two towers, and—with almost unfathomable guts—walking across it without a net. The man is clearly a nut, but he’s also a great storyteller with a heck of a story, and Man on Wire gives him a chance to tell it. Petit’s stunt was both an engineering challenge and a test of, well, a test of something that most of us don’t possess in this much quantity. ![]() Filmmaker James Marsh uses standard documentary techniques, combining new interviews with a satisfying pile of footage and photographs, but his film has the suspense of a caper movie. The title comes from the report written by a police officer who was more than a little uncertain about how to respond to the audacity on display.—Robert Davis. Jackie Brown Year: 1. Director: Quentin Tarantino. Quentin Tarantino’s underappreciated gem Jackie Brown sees Pam Grier as the title character who shakes up the world of bail bondsman Max Cherry (Robert Forster). One of the most brilliant notes in both the main actors’ performances is the stillness that each brings to his character. But if the actors are part of the orchestra, so is the music.—Michael Dunaway. Drive Year: 2. 01. ![]() ![]() Director: Drive offers a number of remarkable performances. Despite minimal dialogue and a scene count you can tally on one hand, Christina Hendricks is engaging, justly earning her own movie poster. Bryan Cranston (Shannon), who never ceases to impress, took his less than supporting role and molded it into something notable. Drive stands out as one of the best films to have been released thus far this year. Will you leave the theater happy? All of the above.—Caitlin Colford. Hotel Rwanda Year: 2. Director: Terry George. While Hotel Rwanda attempts to document the country’s genocide in 1. Rusesabagina (played by Don Cheadle), who gave refuge to hundreds of fleeing Tutsis. Calling in dozens of favors with his extensive network of contacts, he was able to hold the Hutu extremists (the Interahamwe militia) at bay, until the Tutsi rebels drove the Hutu from power. Cheadle portrays Rusesabagina as an efficient manager who cares deeply about his family and the people in he looks after It’s a gripping film that bears witness to both a historic tragedy and one man’s bravery. Robert Parks. 39. Capote Year: 2. 00. Director: Bennett Miller. In the same manner that In Cold Blood. In turn, his performance burst apart Capote’s carefully crafted narrative to show just how haunted the writer himself had become.—Christina Lee. Jiro Dreams of Sushi Year: 2. Director: David Gelb Jiro Dreams of Sushi is a documentary about one of the greatest masters of the culinary world, one whom casual foodies have never even heard of. Although Jiro’s work is ostensibly the focus of the documentary, the film is really propelled by the story of his relationship with his two sons; the youngest of whom has started his own restaurant, and the oldest of whom, at the age of 5. Devoid of the typical familial jealousy you may expect, Jiro Dreams of Sushi is instead a beautifully filmed documentary about a father and his sons who have devoted their lives to the pursuit of the perfect piece of sushi. Dead Man Year: 1. Director: Jim Jarmusch. Jim Jarmusch directed this post- modern examination of the western film genre as American pop culture finally began to veer away from the expected western films. Jarmusch introduced a complete retrospection of a genre plagued with so many social follies. Depp’s somber, quiet character, William Blake, is reflective of the heroes of the Wild West’s past, but it’s his journey that makes this character stand apart.—Clint Alwahab. ![]() Miller’s Crossing Year: 1. Directors: Joel and Ethan Coen. Like O Brother Where Art Thou a decade later, Miller’s Crossing is a terrible choice for those who prefer their Coen films a little less Coen- ish. It’s highly stylized, confusing and often ridiculous. But the parts that do work are glorious—Gabriel Byrne’s casual indolence, Albert Finney’s blustering menace, and most of all, John Turturro’s masterful painting of the spectacularly weaselly Bernie Bernbaum. Traffic Year: 2. 00. Director: Steven Soderbergh. Steven Soderbergh’s simulated documentary about modern drug culture twists and glides with a calculation as deep and complex as the cavernous topic it so effectively dissects. Ever the visionary, Soderbergh displays an objective, impartial eye (quite literally—he photographed the film as Peter Andrews), digging into his characters’ explosive trajectories as they reach their tragic and ambiguous ends, and leaving us with more questions than answers.—Sean Edgar. Ran Year: 1. 98. 5 Director: Akira Kurosawa. For many, the answer to the question, “What is the only film you’ve heard of by Akira Kurosawa?”, Ran is a multi- layered epic the likes of which are rarely encountered in modern cinema. Trainspotting Year: 1. Director: Danny Boyle. Based on the gritty Irvine Welsh novel of the same name, this early film from the director of Slumdog Millionaire and Millions follows a thuggish group of heroin addicts in Scotland and features brilliant performances from young Ewan Mc. Gregor, Kelly Macdonald and Robert Carlyle.—Josh Jackson. Waiting For Superman Year: 2. Director: Davis Guggenheim. In a year that gave us three major documentary features about the glaring need for educational reform in America, Davis Guggenheim’s Waiting for “Superman” presents the most unavoidably compelling argument. In one of the biggest eye- openers, he shows that housing a man in prison (where inner city high school dropouts are statistically likely to wind up) costs three times as much per year as sending them (as kids) to even the most exclusive private school. Another—in order to bring the U. Best Movies On Netflix Right NowS. Like his previous epic An Inconvenient Truth, it’s not the most balanced picture, but he does give the largest teachers’ union their say. But there are some timeless treasures from the 1. If you’re curious about a specific decade, we have more picks from the Best Movies of the 1. Netflix. And for a broader selection, visit our list of the 1. Best Movies on Netflix. Here are the 2. 0 Best Classic Movies Streaming on Netflix: 2. Out 1 Year: 1. 97. Here are the best comedy movies streaming on Netflix right now. The 50 Best Comedies on Netflix (2017). Watch Netflix's First Teaser for Castlevania May 25. Are you wondering what you can watch on Netflix? AllFlicks is a Netflix search engine that. AllFlicks presents a complete list of all Netflix movies, TV. Director: Jacques Rivette. In this sprawling narrative, two different Parisian theater groups are rehearsing plays by Aeschylus (Seven Against Thebes and Prometheus Bound), while one young deaf- mute man panhandles and a bewitching young women swindles. There’s also there’s some kind of conspiratorial group modeled on the “Thirteen” of Balzac’s novels. Most of the first installment consists of the Prometheus group engaging in a big, loud, moaning- and- mud- slinging acting exercise that begins with pairs mirroring one another’s actions and ends (a lot later) in a pantomime of a pagan ritual. There’s other stuff going on, but this sets the tone: We’re not here to engage with an epic plot so much as settle down into the slow rhythm of real time, to live with characters over a long period. Most of the characters are actors, conscious always of being watched (and trying not to be), and those characters are played by real actors who know they’re in a film. So we’re several layers deep, as audience members. The film wants us to remember that real life is just as much of an improvisation—in fact, more so—as anything that happens in the theatre. People repeat lines and interact with one another in ways we realize are drawn from previous interactions. In real life, Rivette seems to be saying, we are all engaged in creating some kind of spectacle, each of us at the center of our own story. The theater exercises in which characters engage are designed to break down barriers between their fellows (barriers that keep getting thrown up through arguments or conflicts of artistic vision) and to bust any wall between emotion and reality. But all falls apart. Connection fails. The troupes split up. Language begins to run backwards or loop, underlining the difficulty of any of this happening at all. The Verdict Year: 1. Director: Sidney Lumet. It’s worth noting upfront that Sidney Lumet shot most of The Verdict in New York City. But the real connective tissue that links The Verdict to Boston is its narrative, in which a hard luck, hard drinking lawyer (the great Paul Newman) butts heads with the city’s archdiocese over a “right to die” case. Boston has a large Catholic community that wields an impressive amount of social influence—Lumet might have shot his picture in the Big Apple, but he nonetheless encapsulates that religious influence perfectly in his courtroom drama. Plus he has his cast tiptoe around the matter of accents quite deftly, too, which is a nice if nonessential touch. Gremlins Year: 1. Director: Joe Dante. Joe Dante’s Gremlins is an yearly Christmastime argument waiting to happen, in the same vein as Die Hard, given that both are annually tossed onto “best Christmas movie” lists, but those debates often overlook the dark comedy of an expertly crafted . Taking the lessons he learned as a . The surprising counterpoint between comedy and graphic violence was a source of consternation that led directly to the creation of the PG- 1. Jim Vorel. 17. An American Werewolf in London Year: 1. Director: John Landis. Few directors have ever displayed such an innate tact for combining dark humor and horror the way John Landis does. At the height of his powers in the early ’8. The Blues Brothers, Landis opted for a much dirtier, grittier, scarier story that stands as what is still the best werewolf movie of all time. When two travelers backpacking across the English moors are attacked by a werewolf, one is killed and the other infected with the wolf’s curse. Haunted by the simultaneously unnerving and hilarious visions of his dead friend, he must decide how to come to terms with the monster he has become, even as he strikes up a relationship with a beautiful nurse played by Jenny Agutter. The film lulls you into comfort with its witticism before springing shocking, gory dream sequences on the viewer, which repeatedly arrive unannounced. The key moment is the protagonist’s incredibly painful, traumatic full transformation, set to the crooning of Sam Cooke doing “Blue Moon,” which is still unsurpassed in the history of the genre. Legendary FX and monster makeup artist Rick Baker took home the first- ever Academy Award for For Best Makeup and Hairstyling for creating a scene that has given the wolf- averse nightmares ever since. The African Queen Year: 1. Director: John Huston. The madcap, screwball comedies of the . Writer/director John Huston’s genius in making The African Queen was taking the feuding couple out of the metropolitan areas for which they’d often been associated with and instead placing them square in the middle of an inhospitable jungle. With the added element of survival driving their journey, the flirtatious banter between classy widow Rose Sayer (Katherine Hepburn) and crass boatman Charlie Allnut (Humphrey Bogart) crackles all the more, making for a rom- com as vicious as it is sweet. Patton Year: 1. 97. Director: Franklin J. Schaffner. Watching Patton, Franklin J. Schaffner’s colossal biographical ode to one of World War II’s most renowned and most controversial military figures, you get the sense that George S. Patton would likely dig Schaffner’s work; the film doesn’t apologize for itself or for its subject’s actions and attitudes, much as Patton didn’t make a habit of apologizing for either unless directly ordered to by his superiors. There may be no more appropriate way to honor the man’s memory than that, such as Patton can be narrowly described as an “honor.” The film doesn’t exactly flatter the general, per se, but straddles a line between hero worship and sober representation, letting Patton, and by extension George C. Scott’s commanding and iconic portrait of him, speak for himself without fear of condemnation or reprisal. As Patton is about Patton, so, too, is it about Scott, which makes sense: If you make a movie and name it after its central character, you’re also making it about its central performance, and so it’s good that Scott was up to the task of reincarnating the late general in all his egotistical, violent, callous, and shockingly vulnerable glory. Patton is a war movie, make no mistake, but it uses the war movie blueprint for housing a character study of its protagonist. The results, almost half a century later, remain completely singular in the genre. A Nightmare on Elm Street Year: 1. Director: Wes Craven. Taking a big hint from The Cabinet of Caligari, Wes Craven warps reality and tackles one of humanity’s primal fears: the dark. Freddy Kruger stomps through intangible dreamscapes, tormenting a group of teenagers by denying them sleep lest he kill them in a series of extremely creative disembowelments. Technology and creativity merged in this feature to create a searing illustration of fatigue and color that has yet to be effectively replicated. The Panic in Needle Park Year: 1. Director: Jerry Schatzberg. Want to know what it was like for Lou Reed to score drugs in New York? Then this is your film. Al Pacino stars as a junkie who drags his girlfriend (Kitty Winn) into the life. It sounds like a downer, and it definitely can be, but Pacino’s energy keeps the film buoyant and interesting. New York in the late . Few films capture what it was like to be young and rudderless in the Big Apple like Panic in Needle Park. The Hustler Year: 1. Director: Robert Rossen. It’s hard to believe this classic Paul Newman/Jackie Gleason movie about pool shark “Fast Eddie” Felson is over a half- century old. That might be why it was just nudged out of the elite eight of our Best Sports Movies bracket by White Men Can’t Jump. The film was nominated for nine Academy Awards, but Newman had to wait 2. Oscar as Felson for the film’s eventual sequel, The Color of Money. To Kill a Mockingbird Year: 1. Director: Robert Mulligan. Gregory Peck perfectly encapsulated what made Atticus Finch the ideal father in the novel To Kill A Mockingbird and brought him to the big screen in a classic performance. While Finch goes through a controversial rape trial, he stands up for what is right regardless of the danger and shows his children Scout and Jem how they should be not by telling them, but by teaching them through example. This Is Spinal Tap Director: Rob Reiner Year: 1. The only rock documentary worth watching, according to Kurt Cobain and Dave Grohl—next to Pennebaker’s Dont Look Back—This Is Spinal Tap isn’t really a documentary at all, though it aspires to so much more truth than any countless, beatific biopic that’s come out in the past couple decades or so. The story of a fictional metal/cock rock band told through talking head interviews that chronicle their iconic ups and downs, Spinal Tap is our best, early glimpse at the team who’d go on to make Waiting for Guffman, A Mighty Wind and Best in Show. While it isn’t the first of its kind, it feels like it could be: So deeply does it understand the world it parodies, Spinal Tap knows that a mockumentary is best a biopic of people who never existed, taking the personalities that define this starfucking realm and then, ever so slightly, ever so lovingly, cranking them to 1. Sunset Boulevard Year: 1. Director: Billy Wilder Billy Wilder’s meta noir is a doozy, an unfailingly cynical critique of showbiz and a portrait of postwar alienation projected on the microcosm of Hollywood. It’s also wickedly funny in Sahara dry fashion, from the opening words of our dead narrator—floating facedown in his killer’s swimming pool—to Norma Desmond’s concluding descent down her staircase, and the rabbit hole. Gloria Swanson is magnificent and sad as Ms. Desmond, a fading beauty of the silent screen who manipulates broke, hackish screenwriter Joe Gillis (William Holden) into becoming her boy toy. Use, Abuse, Misuse & Disposal of Prescription Pain Medication Clinical Reference. USE, ABUSE, MISUSE, AND DISPOSAL OF PRESCRIPTION PAIN MEDICATION TIME TOOL CLINICAL REFERENCEA Resource from the American College of Preventive Medicine. Main Menu. CLINICAL REFERENCEThe following Clinical Reference Document provides the evidence to support the Use, Abuse, Misuse, and Disposal of Prescription Pain Medication Time Tool. The following bookmarks are available to move around the Clinical Reference Document. You may also download a printable version for future reference. Introduction – The Right to Pain Control. ![]() Universal Challenge. Clarifying Terminology. Prevalence of Misuse and Abuse. Use/Abuse Trends. Economic Burden. Regulator Initiatives. Prescribers’ Role. Physician Strategies. Doctor/Patient Conversations. Drug Storage and Disposal. Bottom Line. Resources. References. 1. INTRODUCTION - THE RIGHT TO PAIN CONTROLAdequate pain control is a fundamental right of every patient . A consensus statement from 2. Health Organizations and the Drug Enforcement Agency (DEA) conclude that . Post- surgical pain increases heart rate, systemic vascular resistance, and circulating catecholamines, placing patients at risk of heart attack, stroke, bleeding, and other complications. Unrelieved acute pain often evolves into chronic pain syndromes, which are linked to a constellation of maladaptive physiological, psychological, family, and social consequences that result in: Reduced mobility; loss of strength Disturbed sleep Decreased healing due to immune system impairment Increased susceptibility to disease Dependence on medication Codependence with family members or care givers Psychological ramifications (depression, anxiety, social withdrawal) Slower return to function Decreased quality of life Physicians are currently challenged to deal with the . ![]() This perfect storm is co- incident with the more general rise in unintended overdose deaths that may have resulted from aggressive efforts to have physicians treat pain without the education, skill and resources to manage the physiological and psychological complications that can arise when treating a patient for a chronic pain condition. Physicians must be able to safely and effectively prescribe scheduled drugs and, at the same time, must identify and manage misuse and abuse in their practices . Ethics drive physicians to prescribe, but fear of sanctions may affect physician prescribing behaviors, which might compromise quality of care. The problem cannot be ignored because abusers often face complications, such as: . Physicians confront the dilemma of balancing pain relief against the reality that some patients may misuse and divert these medications. The scale weighs public health priorities against individual pain and suffering . CLARIFYING TERMINOLOGYOne of the major difficulties in promulgating information regarding pain therapy and its use, misuse, and abuse, is the lack of consensus on terminology and an understanding and proper use of the terminology among clinicians, patients, pharmacists, insurers, diagnostic coding agencies, medical societies, regulators, government agencies, and pharmaceutical manufacturers . While inaccurate, more than half of family physicians believe that the use of long- acting opioids for patients with moderate to severe chronic nonmalignant pain leads to addiction . In order to understand the nuances surrounding non- medical use of prescription medications, the following definitions are supplied. Abuse: Self- administration of medications to alter one’s state of consciousness (. ![]() This is an intentional, maladaptive pattern of use of a medication (whether legitimately prescribed or not) leading to significant impairment or distress—such as repeated failure to fulfill role obligations, recurrent use in situations in which it is physically hazardous, multiple legal problems, and recurrent social and interpersonal problems—occurring over a 1. Addiction is characterized by the 4 C’s—behaviors that include one or more of the following: impaired control over drug use, compulsive use, continued use despite harm, and craving . Drug poisoning: Exposure to a natural or manmade substance that has an undesirable effect, often fatal; includes drug overdoses resulting from misuse or abuse. In the U. S., drug overdose deaths were second only to motor vehicle crash deaths among leading causes of unintentional injury death in 2. Misuse can be grouped into several categories: . The non- medical use of prescription medications implies that the person is using the drug for reasons other than those indicated in the prescribing literature or other off- label uses prescribed by a clinician . Nonmedical use includes procurement of drugs for abuse, bartering, suicide, homicide, or accidental ingestion . This Time Tool focuses on abuse. Pharming: Coined by teenagers, . Physical dependence: A state of adaptation manifested by a drug class- specific withdrawal syndrome that occurs by abrupt cessation of a drug, rapid dose reduction, decreasing levels of the drug in the blood, and/or administration of an antagonist resulting in dysphoric signs and symptoms generally the opposite of the desired drug effect, and tolerance defined by adaptation so that that increasing doses of a drug is needed to achieve the same desired effect . Physical dependence involves the related phenomenon of withdrawal and tolerance . Pseudoaddiction: Occurs when patients with inadequately treated pain exhibit drug- seeking behavior similar to that of addiction. This behavior resolves with reasonable dose increases as opposed to . Withdrawal symptoms are thought to increase the risk for relapse. PREVALENCE OF MISUSE AND ABUSEThe past two decades have witnessed an expansion of analgesic use, especially opioid use for patients who have chronic noncancer pain. The National Center on Addiction and Substance Abuse (CASA) found that from 1. US population only rose 1. Concurrently, analgesic misuse has also increased dramatically . According to the latest National Survey on Drug Use and Health (NSDUH) sponsored by the Substance Abuse and Mental Health Services Administration (SAMHSA), the primary source of information on the use of illicit drugs by persons over age 1. U. S., the non- medical use of prescription psychotherapeutics now surpasses the total illicit use of cocaine, hallucinogens, inhalants and heroin as the leading drugs of abuse (Figure 1). Psychotherapeutics are second only to marijuana in abuse potential. ![]() In 2. 00. 9, an estimated 7 million people (2. This figure has remained relatively steady since 2. Comparison of Drug Abuse by Category in Persons Over Age 1. Non- medical use of prescription drugs (psychotherapeutics) is higher than cocaine, hallucinogens, inhalants and heroin. Of the psychotherapeutics, pain relievers are the most commonly misused or abused drug class (Figure 2) .
The category of pain relievers comprises approximately 3. The National Institute on Drug Abuse provides a Prescription Drug Abuse Chart found at http: //www. Drug. Pages/Prescrip. Drugs. Chart. html listing substance categories, examples of commercial and street names, DEA schedule, administration route, and intoxication effects/consequences, which may be helpful during patient consults. Past month nonmedical use of types of psychotherapeutic drugs among persons aged 1. Pain relievers are the most abused prescription drug class. This equates to about 7,0. Pain Relievers are a close second to marijuana as a choice of first initiate for non- medical drug use. Past Year Initiates of Specific illicit Drugs Among Persons Aged 1. With Kate Bosworth, Topher Grace, Josh Duhamel, Nathan Lane. A small-town girl wins a date with a male celebrity through a contest. When the date goes better than. With Rachel Boston, Kirby Morrow, Jesse Moss, Ali Liebert. Business consultant Caryn Briggs (Rachel Boston) is still single at 30, but is in no rush to wed. Pain relievers are second to marijuana as a choice for first initiate . True prevalence is unknown but appears to be increasing. Drug Abuse Warning Network (DAWN) reported a 7- fold increase in oxycodone- related emergency department visits from 1. One study estimated that among 1. Opioids are the most abused drugs in the chronic pain setting . The prevalence of lifetime substance use disorders ranges from 3. ![]() SUD) and 5% to 2. About 1. 4% to 1. SUD use illicit drugs in combination with prescription drugs for pain, while 3. SUD combine legal pain medication with illicit drug use . These statistics highlight the difficult situation of balancing pain treatment with abuse management. Studies show that increased monitoring of these situations does indeed decrease controlled substance abuse and illicit drug use. Our adolescents are at high risk. Substance use before age 1. While illicit drug abuse is declining in this group prescription drug abuse is climbing . Teens say prescription drugs are easier to obtain than illicit drugs and 5. College campuses are especially high- risk environments for the non- medical abuse and diversion of prescription medications; 9. Peer pressure is highest for prescription stimulants (5. Women represent a large and growing population of prescription abusers and women have a higher risk than men based on biological differences, more psychiatric problems (depression, anxiety), and higher rates of physical, emotional or sexual abuse . Adolescent girls and women use drugs to cope with stressful situations, while men tend to use alcohol. Women are more likely than men to be prescribed a drug with abuse potential, such as narcotics or anti- anxiety medications . Prevention and intervention efforts with a gender- specific approach are warranted. The elderly are very susceptible to pain medication misuse/abuse. The elderly make up 1. The elderly tend to have more chronic, long- term pain issues, tend to use multiple medications due to other comorbid medical conditions (especially dietary supplements and OTC medications), and may be experiencing waning cognition, making them susceptible to unintentional misuse or abuse. Drug metabolism changes with age, predisposing the elderly to more toxic effects of all medications. Chronic pain is by far the most common reason for nonmedical use of prescription pain medications later in life . PHD tour, CLICK. HERE! Apply online - The University of Nottingham. The deadline for international applications for postgraduate taught courses starting in September 2. August 2. 01. 7. Any applications received after this time will be automatically considered for the next available intake for the course. This deadline does not apply to distance learning programmes. Bollywood Movies Online. Recently Added Movies - You. Watch over 100 Live TV channels (Hindi & regional) of your favourite TV shows, news, movies & entertainment online anytime, anywhere only on dittoTV! Bollywood Movies Online, Discuss Latest Hindi Movies. Jun 23,2017. Rating: **** Faith can move mountains. If you believe it then you achieve. Nawazuddin Siddiqui - IMDb. Nawazuddin Siddiqui (born 1. Nowaz is an Indian film actor who has appeared in some of Bollywood's major films including, Black Friday (2. ![]() New York (2. 00. 9), Peepli Live (2. Kahani (2. 01. 2), Gangs of Wasseypur (2. Watch Free Movies Online - Watch full length Bollywood, Hollywood, Marathi & Telugu movies online for free. Also watch free streaming action, horror, romance, comedy. Gangs of Wasseypur - Part 2 (2. Early life and education Nawazuddin Siddiqui is from Budhana a small town.. ![]() ![]() ![]() ![]() List of DVD Movies available on Bollywood Dhamaal. Watch latest Bollywood Movies online in DVD Rip. DVD Movies list updated with latest Indian Hindi movies. 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Mai 2017) Spiegel Online berichtet, die USA würden auf einen formalen Eintritt der NATO in den Krieg gegen den. Although quite underrated by Allied intelligence during WW2 and still somewhat underestimated today, the Stu. G III was, nonetheless, the most produced tracked German AFV during the conflict. Its evolution mirrored that of the more famous Panzer IV. At first, the Stu. G was a simple derivative of the Panzer III for infantry support only, but ended as one of the most important German vehicles of the war. With its low- profile and low- cost, it was the real battlehorse of the Wehrmacht, shifting from a close support vehicle to a tank- hunter of first magnitude, soldiering without interruption anywhere from North Africa to Europe and Russia. The crews loved it because of its low profile and good armor, and the infantry it was supporting was grateful for its firepower and availability. Genesis & development of the Stu. G IIIRoots in WWIThe very roots of the Sturmgesch. It had been already found, back in World War One, that the Sturmtr. There was no way at the time to bring to bear a standard howitzer or artillery piece for direct fire, but by 1. This is a translation of an original German document that started the development of Stu. G IIIs, as an assault artillery infantry support weapon (Stumartillerie). Notice that their main role was to take out enemy machine gun posts. ![]() ![]() They were not to be used as normal artillery. Their ability to fire indirectly at targets was removed. They were restricted to fire in direct line of sight at targets within 4 km using high explosive shells. This task will be performed within the scope of the infantry attack and at firing ranges of maximum 4km. Thus it is a weapon of the infantry and does not have to perform artillery duties. Therefore, there is no need for shooting ranges of 7 km or being fitted with indirect sighting devices. At the same time, the Stumartillerie has to totally fulfill the tasks for which it is currently under development. Thus double development work will be avoided. In June 1. 93. 6, the Inspektorate des Artillerie authorized the Heeres Waffenamt to design a vehicle in accordance with the following specifications. Mount a 7. 5 mm (2. Provide a traverse of less than 3. DB was to provide the hull and chassis and Krupp the detailed equipment, including the main gun, the 7. Gesch. The original contract of 2. DM was signed for the gun, as well as four wooden mock- ups to be used on prototypes. By 1. 5 December 1. Pak(Sfl.), then Pz. Welcome, Want To Play NFS: UNDERGROUND 2 Game With Me? Join Or Create Online Server & Network. Unprecedented declines in morale and discipline among troops in Vietnam spawned fragging a phenomenon forever tied to the Vietnam War in which the M26, M61 or M67. Gatling Gun For Sale – Buy a Gatling Gun. 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It details the desperate German counter-attack at Mortain. ![]() These five prototypes had soft steel superstructures with wooden mock- up guns, and were evaluated by the Artillerie Lehr Rgt. Consequently after, Krupp was ordered to build four more guns to be delivered in 1. These five pre- series prototypes, delivered by the fall of 1. ![]() In short, they were not fit for combat. They saw service for further testing with the Panzer Regiment 1 in Erfurt, and were kept for training well until 1. The original design omitted any roof, as this open- top configuration was to provide a significant advantage for target spotting. However, in 1. 93. Therefore, thin roof plates were mounted, which only protected against 8. However, further reports from troops dictated some early production modifications. A hatch was cut into the roof, so that an artillery panoramic sight could be mounted for indirect fire. Early production: The s. Pak to the Stu. G IIIIn January 1. The name was altered on 7 February to “7. Kanone (Pz. Sfl)” and on 2. March to Sturmgesch. The full Waffenamt designation was painted on the serial number plates as “Gepanzerte Selbfahrlafette f. K. Design of the Stu. G IIIHull protection. The first production version was based on the Panzer III Ausf. F chassis, and had the frontal armor raised to 5. In detail, the 5. The superstructure and hull sides were 3. The roof was almost horizontal, 1. The rear engine deck was 1. The gun mantlet and recuperator were 5. Later, the superstructures sides received 8 mm (0. There was a large opening on the front, for the bulky main gun mounting. The frontal double slope was heavily armored, up to 5. Ausf. A. There were two small two- piece hatches for the driver at the front, two larger two- pieces hatches for the crew on the casemate rear, and open space at the left for the commander’s periscope. The engine could be accessed through two large two- piece and two smaller one- piece hatches on the rear deck. The driver had a reinforced vision slit and a binocular sight. Throughout the evolution of the Stu. G, this frontal part was up- armored, while the up- gunned version had two kind of mountings, the regular one on the Ausf. F and the “pig nose” for the largely overhauled Ausf. G, which helps distinguish between the two models. Crew positions & equipment. Because of its small height, access was easy through the roof’s hatches. Three were posted directly above the driver (left), gunner (right) and commander’s (left) seats. In addition, if the tank toppled over or if the hatch was obstructed, the driver could still escape through the steering brake inspection hatch in the glacis plate. The driver was given a visor mounted in the front plate and could use the KFF2 periscopes in fully protected mode. He had a fixed sight slit in the superstructure left wall, but was blind on the right. The commander and gunner’s hatches were of equal size, and hinged to the sides. The gunner had a Sfl. ZF periscopic gun sight at his disposal, with an aperture on the superstructure front. The commander had a SF. Z scissors periscope that protruded from the opened hatch in raised position. Otherwise it was folded down, the binocular being strapped on the left wall. His seat was spring loaded and could be raised while buttoned up, and was adjustable in height, locked into position with a foot pedal. This allowed a fully raised position for direct observation, or with the periscopes. The seat was hinged on the left wall and could be folded out of the way. However, the gunner’s seat was fixed to the gun mount, a common artillery practice. Armament. The main gun was the Krupp 7,5 cm Kanone L/2. This was basically a short barrel gun tailored to fire HE rounds at fortifications and enemy positions. It was an adaptation of the 7,5 cm Kw. K L/2. 4 tank gun originally designed for the Panzer IV. It was well capable of destroying blockhauses and pillboxes at short, medium or even long ranges when in maximal elevation. The 7. 5 cm Kampfwagenkanone- 3. L/2. 4 was given several types of ammunition during the war. Last but not least was the standard HE round, the 7. Sprgr. 3. 4, which was the heaviest of all (7- 8 kg). The HEAT rounds, especially useful due to the gun’s low velocity (3. Normal provision was 5. With the arrival of the longer Stu. K. L/4. 0, penetrating ability of the rounds was improved, and a battery of tests followed. As a result, the total load was reduced to 4. K. Gr. rot. Pz (armor piercing, capped, with tracer and explosive filler), 6. HE rounds, or Sprenggranaten, and 2. Nebelgranaten. Eventually, a fourth type was introduced, with increased efficiency against armor, thanks to the shaped charge principle. This was the HEAT or Gr. HL round. It was designed for excellent fragmentation performance, but was still very effective against softskin targets. The initial design was less successful than the K. Gr. rot. But, after the introduction of the HL/A & B, the numbers supplied to frontline units steadily grew. As an indication, an Ausf. D was captured in North Africa crammed with 8. HL/As and 3. 5 K. Gr. rot., signalling an increase in tank to tank use. Initially, there was no secondary machine- gun, the tank relying solely on accompanying infantry for close quarter defense, which made sense when its tactical use was first envisioned. By the time of the up- gunned G version, however (December 1. Maschinengewehr 3. Personal weapons included, generally, a MP 3. P 3. 8 automatic pistols. For maximal “safe” fire, indirect targeting was used, but at the expense of accuracy. Better accuracy was reached at short range (less than 5. In this matter, the quality of optical instrumentation was paramount. With the Ausf. C, D and E, a new ZF1 targeting sight was introduced, with a reticle pattern including seven triangles separated by four mils. The distances between triangles was used for aiming at moving targets. Their separation and height helped the gunner to estimate the range, marked by 1. Due to the limited arc of 2. The wheeltrain comprised six paired rubberized roadwheels mated on torsion arms, and three double return rollers per side. The drive sprockets were at the front, whereas the idlers were at the rear. The tracks were made of mild steel and identical to the Panzer III model. Performances, facts & figures. Here are the extended specs for the Ausf. D (1. 94. 1). Top speed: 4. Maximal sustained top speed on road: 2. Cross- country speed: 1. Range (roads): 1. Range (cross country): 9. Trench crossing: 2. Fording: 0. 8 m (2ft. Step climbing: 0. Gradient climbing: 3. The first were delivered in September 1. April 1. 94. 0. The last six were based on the Panzer III Ausf. G chassis. However, due to numerous production faults, only four batteries (1. France by May 1. 94. The Ausf. B saw a much larger production (3. Alkett, between June 1. May 1. 94. 1. They were nearly identical to the Ausf. A, if not for the slightly larger tracks (3. Standard roadwheels were interlocked with external 5. The early 1. 0- speed transmission, which proved troublesome, was replaced by a 6- speed one. To reduce chances of the tracks being thrown off during tight turns, the forward return rollers were re- positioned even further forward.- The Ausf. C was only produced for a single month, in April 1. Nearly identical to previous versions, they had the main gunner’s forward view port eliminated (it was seen as a shot trap) and replaced by a relocated periscope in the front left of the casemate. The idler was also new. The campaign of France had shown the value of the Stu. G, and 1. 50 Ausf. Watch Free Latest Hollywood Movies Online In HD, Bollywood. December 1. 2, 2. 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Children. Snow White (daughter in the original version, stepdaughter since the 1. Watch online Queen 2013 full with English subtitle. Watch online free Queen, Kangana Ranaut, Rajkummar Rao, Lisa Haydon. Watch Full Movies Free - Stream Online Movies in HD. Better than 123movies, Putlocker - No popups, no registration. 12000+ Movies. Online - Your source for entertainment news, celebrities, celeb news, and celebrity gossip. Check out the hottest fashion, photos, movies and TV shows! Queen are a British rock band that formed in London in 1970. Their classic line-up was Freddie Mercury (lead vocals, piano), Brian May (lead guitar, vocals), Roger. The Queen, often referred to as the Evil Queen or the Wicked Queen, is a fictional character and the main antagonist in . Other versions of the Queen appear in . The beautiful young princess Snow White evokes the Queen's sense of envy, so the Queen designs a number of plans to kill Snow White through the use of witchcraft. A driving force in the story is the Queen's Magic Mirror. In the traditional resolution of the story, the Queen is grotesquely executed for her crimes. The tale is meant as a lesson for young children warning them against narcissism and pride. Various other versions of the Queen appear in subsequent adaptations and continuations of the fairy tale, including novels and films. In these, the Queen is often re- imagined and sometimes portrayed more sympathetically, such as being morally conflicted or suffering from madness instead of being simply evil. In some of the revisionist stories she has even been portrayed as an antihero or a tragic hero. In some instances, she serves as the protagonist or narrator of the story; one such particularly notable version is Disney's, sometimes known as Queen Grimhilde. The Queen has also become an archetype that inspired several characters featured in the works that are not directly based on the original tale. In . When the King's first wife, the Good Queen passes away, Snow White's father marries again. The King's new and second wife is very beautiful, but she is also a wicked and vain woman who becomes the new and second Queen, and Snow White's stepmother. She owns a magic mirror, which one day informs her that her young stepdaughter Princess Snow White has surpassed her in beauty. After deciding to eliminate Snow White, the Queen orders her Huntsman to take the princess into the forest and kill her. The Queen tells him to bring back Snow White's lungs and liver, as proof that the princess is dead. However, the Huntsman takes pity on Snow White, and instead, brings the Queen the lungs and liver of a wild boar. The Queen then eats what she believes are Snow White's organs. While questioning her mirror, the Queen discovers that Snow White has survived. Intending to kill Snow White herself, she uses witchcraft to prepare poison and take the disguise of an old peddler woman. She visits the dwarfs' house and sells Snow White laces for a corset that she laces too tight in an attempt to asphyxiate the girl. When that fails, the Queen returns, as a different old woman, and tricks Snow White into using a poisoned comb. When the comb fails to kill Snow White, the Queen again visits Snow White, this time disguised as a farmer's wife, and gives Snow White a poisoned apple. Eventually, Snow White and the Prince from another kingdom reveal the Queen's true nature and invite her to their wedding, where she is forced to put on red- hot iron shoes and . Sara Maitland wrote that . In some versions, instead of dying, the Queen is even just merely prevented from committing further wrongdoings. However, in the same 2. UK poll that considered the Queen from . Another early (1. English translation by Susannah Mary Paull . Many people feared that apples could carry evil spirits, and that witches used them for poisoning. Brown of Duke University also makes a connection with the story of Adam and Eve, seeing the Queen as a representation of the archetype of Lilith. For example, in Italy, the Queen uses a toxic comb, a contaminated cake, or a suffocating braid. The Queen's demands of proof from the huntsman (often her lover in non- Grimm versions. The Grimms noted on the margin of their 1. In the first edition of the Brothers Grimm story, the Queen is Snow White's biological mother, not her stepmother. This motif changed in subsequent versions. The University of Hawaii professor Cristina Bacchilega said, . There is, for instance, no suggestion that the queen's absorption in her beauty ever gives her pleasure, or that the desire for power through sexual attractiveness is itself a sexual feeling. What is stressed is the anger and fear that attend the queen's realization that as she and Snow White both get older, she must lose. This is why the major feeling involved is not jealousy but envy: to make beauty that important is to reduce the world to one in which only two people count. If the king’s attention turns from his wife to another, what power is left to an aging woman? Witchcraft, the tale answers. Potions, poisons, and self- protection. Had she perhaps doubted and cracked the mirror, cracked the meaning of the mirror, she might still be alive today. That's why, I think, the most interesting women in stories have been villainesses. So why not focus on this figure who is tragic in many, many ways. We really don't know too much about her - where she gets her powers. She's mysterious. Unable to integrate the social and the antisocial aspects of human nature, she remains enslaved to her desires and gets caught up in an Oedipal competition with her daughter from which she cannot extricate herself. This imbalance between her contradictory drives proves to be her undoing. It thus is the implicit sexual struggle between the young girl and the queen. Vanquishing the queen represents a triumph of positive forces in the self over vain impulses. Her continued existence means not only that Snow White's life remains in jeopardy, but that the princess is apt to be plagued by vain temptations for the rest of her days. Unless the evil woman is eliminated once and for all, Snow White will never be free. The death of the wicked queen allows Snow White to truly celebrate her marriage, the bringing together of herself. As Snow White rids herself of her envious stepmother, she is, at the same time, next in line to become a mother herself—more able, we hope, to deal with envy than her stepmother had been. The glowing shoes, an appropriate symbol for her own unbridled envy, bring about her final demise.? Parents may believe in promoting high spirits, but they will not be keen about giving their approval to stories in which 'happily ever after' means witnessing the bodily torture of villains. They don't have to see close- ups of.. It is fairy- tale violence, which is not like real mugging, terrorism and Argentinean torture. According to Lana Berkowitz of the Houston Chronicle, . Rewrites may show the queen is reacting to extenuating circumstances. In it, the sexually aggressive Queen dominates the forester, who, within his narrative, blames his sexual weakness on the magic potion that he was forced to drink. Boy, Snow, Bird: This 2. Helen Oyeyemi is a reimagination of . She wasn’t very efficient – it took her three tries to kill Snow White, for example. And I had read Barbara Comyns’ The Juniper Tree, which is a retelling of the fairy tale from the perspective of the wicked stepmother, as well, so I began to see a way that I could do it for myself. The cold- hearted and power- hungry Ivi blackmails the 1. Aza into becoming her singing voice in order to preserve her own reputation. She later plots Aza's death. However, it turns out that Ivi's actions were manipulated by Skulni so that he can take a vacation when Ivi is killed. In the end, Ivi turns away from her evil ways, loses her magically created beauty, and is sent away to a remote castle. The Fairest of Them All: This 2. Carolyn Turgeon tells how Rapunzel became the evil queen from the story of Snow White. The Queen is infertile and, at first, the impotent and abusive King actually accepts his wife's promiscuity. Snow White envies the Queen's sexual experience and tries to outdo her stepmother's debauchery. Eventually, however, the King decides to get rid of his Queen. In the final scene, the Queen appears at the marriage of Snow White and is forced to put on red- hot iron shoes; and is determined to defy them by suffering in silence and motionless. The Lunar Chronicles: A series of young adult fantasy / science fiction novels by Marissa Meyer that began with Cinder in 2. Queen Levana is the books' villain, inspired by the . Her stepdaughter Princess Winter is the protagonist. The series' 2. 01. Fairest tells the story of Levana's descent to evil, which begins when she is fifteen years old and covers the next ten years of her life. Meyer said: ? I took all of that from that fairy tale and twisted it to match the world of The Lunar Chronicles. Other readers are like, 'No, she's frickin' crazy.' I personally have always had a great deal of sympathy for her knowing the things she's gone through. The evil Queen enslaves Prince Richard to her magic mirror so that whenever she uses it he must abide to her every wish and only answer her truthfully. One day, he meets a runaway Princess and is compelled to tell the Queen that she is no longer the fairest of them all. The Princess is then forced to team up with a female human dwarf Gretchen and a man called Lars to break the mirror’s spell before the Queen kills them all. Mira, Mirror: In Mette Ivie Harrison's 2. Mirra was a young apprentice witch who was enchanted by her older sister and a fellow apprentice Amanda into a magic mirror so Amanda could transform herself into the most beautiful woman in the world. Amanda becomes a Queen, but later mysteriously disappears, while the story of Mirra continues. In it, an unnamed witch embarks to eliminate Snow White, marrying the King for the purpose, but they both fall in love with each other. It is the witch's kiss that revives her after the Prince's had no effect, and she takes Snow White to her castle. The mirror built Ador. In the end, the mirror's reluctant testimony is essential to her conviction, as it replayed key events for the court, leading to the Queen's execution. Mirror, Mirror (2. |
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